God, Torah, Self: Accepting the Yoke of Heaven in the Writings of Rav Shagar
Rav Shagar's postmodern insights on accepting the yoke of Heaven, for your pre-Shavuos reading pleasure!
No Rest for the Weary? Ambiguity in Yehudah Halevi’s “Yom Shabbaton”
Yaakov Jaffe analyzes the multiple meanings of a medieval Jewish poem and popular Shabbat table song.
Rav Kook on Culture and History
Zach Truboff explores Rav Kook's fascinating philosophy of history, focusing on five recently translated essays.
Rack Up Those Mitzvot!
When we boil matters down to their essence, what is the underlying difference between a yeshivish and centrist Orthodox worldview? Tzvi Goldstein argues that it’s not Torah Umada, Zionism, or women’s roles; these are all symptomatic of a deeper debate about this world and the World to Come.
Rabbi Jonathan Sacks’s Portrait of Moses
In honor of Rabbi Lord Jonathan Sacks’s 70th birthday, Ari Lamm explores his legacy as a biblical commentator.
Maimonidean Providence & Stoicism
Ariel Krakowski explores the connection between Maimonides and the Stoics.
There Are No Lights in War: We Need a Different Religious Language
A growing list of dati le’umi leaders and thinkers frame war as a desirable state and even an opportunity for spiritual elevation. Religious Israeli activist Ariel Shwartz traces this trend with alarm and argues that it contradicts deep-rooted Torah values. Translated by Mordechai Blau.
Neo-Hasidism and its Discontents
In his latest for Lehrhaus, Steven Gotlib considers Neo-Hasidism’s continued inroads into Orthodox thought and practice in his review of Contemporary Uses and Forms of Hasidut, the Orthodox Forum volume edited by Shlomo Zuckier.
Nietzschean Man
Did Rav Soloveitchik buy into Nietzsche’s critique of religion? Alex Ozar reviews Daniel Rynhold and Michael Harris’s book, which surprisingly argues that the answer to this question is yes.
Notes on the Conversation surrounding Faith Shattered and Restored / Post-Modern Orthodoxy.
Marc Dworkin re-examines the impact of Rav Shagar's thought on the English-speaking audience.