Why did the women bring musical instruments out of Egypt? In her first Lehrhaus article, musicologist Rebecca Cypess draws a fascinating historical analogy between biblical and African-American slavery to shed light on the Exodus in Jewish tradition.
Aton Holzer offers a novel re-reading of the Seder, arguing that it reflects and recreates four types of liberty that can be found in the Exodus narrative, as well as a fifth form of freedom.
As we prepare for Passover, enjoy these three poems by Bruce Black meditating on the past, present, and future of our Exodus.
As another Pesach in isolation approaches, Will Friedman examines how Rabbinic texts take solo sedarim into account.
Esther Lindell reviews “The Haggadah about Nothing,” Rabbi Sam Reinstein’s not-too-serious exploration of how the Haggadah relates to Seinfeld, the ever-popular 90s sitcom.
As we approach the Seder, Joe Wolfson invites us to consider how children’s questions help adults appreciate the true meaning of Pesach.
Why is the Haggadah such a disorganized text? Lehrhaus editor Yosef Lindell offers a strikingly novel approach to the dynamic nature of the Passover seder.
Shimon Laufer examines how Rabbinic understanding of the holiday of Passover influenced the holiday of Purim, and how one of the oldest manuscripts of the Mishnah hints that the converse may be true as well.
Ezra Sivan follows up last year's piece about how the Exodus leveled social boundaries with an article about what the Pesah story teaches us about social distancing today.
What does Shakespeare have to say about the Exodus, Moses, and the power of storytelling? Shaina Trapedo explores how the Bard's work can speak to us during this unprecedented Pesach season.