Why did the women bring musical instruments out of Egypt? In her first Lehrhaus article, musicologist Rebecca Cypess draws a fascinating historical analogy between biblical and African-American slavery to shed light on the Exodus in Jewish tradition.
Aton Holzer offers a novel re-reading of the Seder, arguing that it reflects and recreates four types of liberty that can be found in the Exodus narrative, as well as a fifth form of freedom.
As we prepare for Passover, enjoy these three poems by Bruce Black meditating on the past, present, and future of our Exodus.
Ezra Zuckerman Sivan explains how an enigmatic passage in Masekhet Shabbat teaches us how we can use Shabbat to connect to an oft-hidden God.
Amitai Bin-Nun provides a fresh and intriguing perspective on the story of the Golden Calf by reading it in light of the Talmudic passage in Menahot detailing an encounter between Moses and R. Akiba on Mt. Sinai where God is tying crowns to the letters of the Torah scroll.
Mitchell First explains the difference in the wording of the tenth commandment in Exodus and Deutoronomy in light of a grammatical insight by Benno Jacob.
David Fried argues that the question of Moses seeing the face of God reveals the tragic choice Moses made in choosing between his own spirituality and that of his people.
Our modern Shabbat experience has been called "a taste of the world to come." But was this the case for the first Shabbat in the desert? Ezra Zuckerman Sivan considers the question.
Lehrhaus Founding and Consulting Editor Elli Fischer on why R. Mendel of Rimanov is said to have spoken about the man every Shabbat for 22 consecutive years, and why reciting parshat ha-man the Tuesday before Parshat Beshalah might not be a segulah for parnasa, but R. Mendel's exhortation to be content with our lot.
As we begin to read Sefer Shemot, Yosef Lindell explores Koren Publishers' new series, The Tanakh of the Land of Israel, the first volume to use Rabbi Sacks’ Humash translation.