Tanakh

This essay by Aaron Zeitlin—originally published in Yiddish in 1967 and translated here into English by Daniel Kraft—explores Aaron’s father Hillel Zeitlin’s approach to anti-semitism by way of the Book of Jonah.

Benjamin Marcus was commissioned to create illustrations for an illuminated manuscript of the Book of Ruth. In this one-of-a-kind article, he shares his challenges, his discoveries, and his art.

  Mark Glass I. It is fair to say that Sefer Vayikra is not known for its narratives. It is devoted, for the most part, to the...

Leah Sarna argues that this is the Passover to tell the stories of enslaved Jewish women: of the victims of October 7, who were and likely still are subjected to sexual violence, and of the heroic women in the era of the Exodus, who fought to ensure the perpetuation of the Jewish people.

Dan Ornstein examines the rabbinic interpretation of the phrase "ba-asher hu sham," and applies it to the current conflict in Israel.

Joshua Shapiro explains how close readers of the Biblical text can find a unifying theory for reason behind the ten plagues.

In a follow up to her recent piece about Joseph, Batya Hefter traces Judah's character development through the eyes of the Ishbitz-Radzyn masters.

In this second-place prize-winning essay for Hadar’s annual Ateret Zvi contest, Nehemia Polen approaches a vexing episode in the Torah through new lens: what if Moses and Aaron were denied entry to the Land of Israel not because of what they did when obtaining water from the rock but because of where they escaped to right before?

In her winning Ateret Zvi essay, Leah Sarna explores two simultaneously true stories about pregnancy: it is at once a beautiful, incredible miracle, and also a demanding journey, both physically and mentally, that often feels more like a catastrophe. Studying the Torah's accounts of pregnancy in Tazria and Rivkah's life, Sarna offers a moving analysis of what it means to hear, tell, and live these stories.

Batya Hefter traces Joseph's character development through the eyes of the Ishbitz-Radzyn masters.