The Anti-Spiritual Rabbi: A Student’s Perspective

Shlomo Spivack discusses the anti-spirituality of his teacher, Rav Menachem Froman.

Rack Up Those Mitzvot!

When we boil matters down to their essence, what is the underlying difference between a yeshivish and centrist Orthodox worldview? Tzvi Goldstein argues that it’s not Torah Umada, Zionism, or women’s roles; these are all symptomatic of a deeper debate about this world and the World to Come.

The Invention of Jewish Theocracy: A Review of Alexander Kaye’s New Book

What motivated the first Ashkenazic Chief Rabbi of Israel, Rav Herzog, to work tirelessly on the seemingly quixotic project of running the modern State of Israel on the basis of Halakhah? Reviewing Alexandar Kaye's new book on the subject, Rabbi Shalom Carmy explains.

On Racism and the Torah

Is the Mishnah racist? To answer the question, begs Elli Fischer, is to get a better understanding of both Judaism and Race

Rav Lichtenstein on Wissenschaft in his Own (Yiddish) Words

Shlomo Zuckier presents Rav Aharon Lichtenstein's own thoughts on academic Talmud.

Prayer in an Age of Distraction

Zachary Truboff considers the experience of prayer, and what two recent publications on Tefillah emerging from the Religious Zionist community contribute.

God, Torah, Self: Accepting the Yoke of Heaven in the Writings of Rav Shagar

Rav Shagar's postmodern insights on accepting the yoke of Heaven, for your pre-Shavuos reading pleasure!

Neo-Hasidism and its Discontents

In his latest for Lehrhaus, Steven Gotlib considers Neo-Hasidism’s continued inroads into Orthodox thought and practice in his review of Contemporary Uses and Forms of Hasidut, the Orthodox Forum volume edited by Shlomo Zuckier.
jonathan sacks

Rabbi Jonathan Sacks’s Portrait of Moses

In honor of Rabbi Lord Jonathan Sacks’s 70th birthday, Ari Lamm explores his legacy as a biblical commentator.

The Zogerke’s Vort

The zogerke or firzogerin, once the vernacular translator in the women’s section of the synagogue, has faded into distant memory. Dalia Wolfson reimagines her for our times.