Culture

If Kant or Hegel had read Rambam or the Shulhan Arukh, they might have known that Jewish law does not actually proscribe the creation of images. But that was not the way of history. It is important to reclaim visual culture and aesthetics for religious Judaism so that beauty can be allowed to inspire halakhically bound actions, to color worship, and give meaning to our rituals.

Marina Zilbergerts presents the philosophical questions posed by Chaim Grade's “My Quarrel with Hersh Rasseyner,” and compares his arguments to those of other major thinkers such as Voltaire, Rousseau, Dostoevsky, and Nietzsche.

Rebecca Cypess considers the life and work of the Italian Jewish Renaissance composer Salamone Rossi, his rabbinic supporter Leon Modena, and the controversies over 17th century polyphonic music in the synagogue.

Eileen Watts explores how Bernard Malamud's "The German Refugee" amplifies the themes of Tisha B'Av.

Ari Lamm on The Boss and The Bible

Martin Lockshin reviews Daniel A. Klein’s translation of Samuel David Luzzatto’s commentary on the Book of Vayikra, the latest volume in Klein’s project to translate all of Shadal’s insightful and ever-interesting Torah commentary.

Eliyahu Freedman compares hospital chaplains to the Kohanim.

A poetic offering from Yehoshua November in advance of parashat Toledot

The Agnon scholar, Jeffrey Saks, sees some Agnonian work in modern Israeli literature.

On the occasion of the 50th anniversary of the Yom Kippur War, published here are excerpts from letters of an American student studying in Israel in 1973. These letters, written during and immediately after the war, shed light on Yeshivat Har Etzion in its formative years and the lasting impact of the Yom Kippur War.