Seinfeld at Your Seder

Esther Lindell reviews “The Haggadah about Nothing,” Rabbi Sam Reinstein’s not-too-serious exploration of how the Haggadah relates to Seinfeld, the ever-popular 90s sitcom.

Traditional Revolutionaries

Ilan Fuchs reviews Naomi Seidman’s book Sarah Schenirer and the Bais Yaakov Movement.

To Be, or Not to Be, a Holy People

Steven Gotlib reviews Eugene Korn’s To Be a Holy People: Jewish Tradition and Ethical Values, a book which asks hard questions about whether Halakhah can integrate with the demands of contemporary ethics.

Judaism and Christianity: A Star-Crossed Affair?

Steven Gotlib reviews Eugene Korn’s book on the future of Jewish-Christian relations.

Tzaddik ve-Ra Lo: Revisiting the Problem of Evil in Chaim Grade’s My Quarrel with...

Marina Zilbergerts presents the philosophical questions posed by Chaim Grade's “My Quarrel with Hersh Rasseyner,” and compares his arguments to those of other major thinkers such as Voltaire, Rousseau, Dostoevsky, and Nietzsche.

Letters to the Editor: A Rejoinder to the Review by Martin Lockshin

In this letter to the editor, David E.S. Stein, the project manager and revising translator of the JPS TANAKH: Gender-Sensitive Edition, responds to the review by Martin Lockshin.

Character And Covenant

Ben Frogel reviews a new volume that introduces thirty-five different Jewish approaches to virtue ethics and attempts to link them into one continuous tradition.

Moana and the Call of Jewish Destiny

Sarah Rindner considers Moana's Disney revolution and its Jewish parallels.

A Journey Across the Ages: Esther in America

Jennifer Caplan reviews Esther in America, a timely volume featuring essays by a number of Lehrhaus editors that addresses how the characters and themes of Megillat Esther have been integrated into American thought and culture over time.

Book review of For Women and Girls Only: Reshaping Jewish Orthodoxy through the Arts...

In his review of Jessica Roda's For Women and Girls Only: Reshaping Jewish Orthodoxy through the Arts in the Digital Age, Ben Rothke considers the ways Orthodox women have dealt with halachic obstacles a claim a space for themselves as performers using new and social media.