“Justice has not Been Done”: Officer Immunity and Accountability in Jewish Law (Part 1)
David Polsky meticulously analyzes Halakhic sources on the use of force by officers of the law.
Laughter in the Face of Tragedy: The Enduring Resistance of Rabbi Akiva
Miriam Zami’s essay, runner-up to Hadar's annual Ateret Zvi Prize, uncovers the political and theological resistance of Rabbi Akiva’s laughter in the wake of the destruction of the Temple.
When Rambam Met the Izhbitser Rebbe: Response to a Straussian Reading of Hilkhot Teshuvah
Bezalel Naor responds to Bezalel Safran's Straussian reading of the Rambam.
The “Judeo-Christian” Tradition at Yeshiva
Yisroel Ben-Porat offers historical, hashkafic, and personal reflections on what’s often called the “Judeo-Christian” tradition and whether a Torah u-Madda outlook can embrace the study of Christianity.
Secular Music and the Jewish Soul
The Talmud criticizes the heretic Elisha ben Avuyah, or Aher, for listening to Greek music. But what did he do wrong? Todd Berman uses a close reading of Rashi’s comments on the Talmudic passage to explain.
Cutting a Peace: The Story of Ketiah bar Shalom
Shlomo Zuckier offers a close literary reading of the fascinating Ketia bar Shalom narrative on Avodah Zarah 10b!
Halakhah’s Insiders and Outsiders
Shmuel Hain Reviews Chaim Saiman's Halakhah: The Rabbinic Idea of Law.
Letters to the Editor: Responses to Michael Broyde on Abortion
Two letters to the editor provide alternative perspectives on the question of what Jewish law wants American abortion law to be.
Christians, the Talmud, and American Politics
Ari Lamm explores a recent instance of talmudic censorship, as well as its implications for thinking about Jewish-Christian relations and American society at large.
Mishnah with Meaning: Review of The Soul of the Mishna by Yakov Nagen
Yakov Nagen's Soul of the Mishna contains a wealth of readings that combine academic, literary, and spiritual perspectives on the Mishnah, writes Richard Hidary. Read the full review of the book, now accessible to an English-speaking audience, in our latest at the Lehrhaus.