The Development of Neo-Hasidism: Echoes and Repercussions Part III: Shlomo Carlebach and Zalman Schachter-Shalomi
Ariel Evan Mayse considers the neo-Hasidic approaches of Shlomo Carlebach and Zalman Schachter-Shalomi.
No Rest for the Weary? Ambiguity in Yehudah Halevi’s “Yom Shabbaton”
Yaakov Jaffe analyzes the multiple meanings of a medieval Jewish poem and popular Shabbat table song.
“Leonard Cohen: A Crack in Everything” at the Jewish Museum: A Review
Ronnie Perelis reviews The Jewish Museum's exhibition: Leonard Cohen: A Crack in Everything.
Secular Music and the Jewish Soul
The Talmud criticizes the heretic Elisha ben Avuyah, or Aher, for listening to Greek music. But what did he do wrong? Todd Berman uses a close reading of Rashi’s comments on the Talmudic passage to explain.
Leviticus, Leonard Cohen, and the Paradox of Rest
Sarah Rindner asks what the Book of Leviticus, Leonard Cohen and the Liberty Bell all have in common.
Subjective Experience in Halakhah: Music During Sefirah as a Case Study
Judah Kerbel explores how differing approaches to listening to music during Sefirat ha-Omer balance the appropriate role for subjectivity in halakhic decision-making.
Leonard Cohen Five Years On: Death of a Ladies’ Kohen
To mark Leonard Cohen’s fifth Yartzeit, James Diamond offers a creative take on how Cohen‘s complicated relationship with Judaism defined his music and poetry.
“Lu Yehi”: Between Fragility and Hope
In this thoughtful essay, Cypess reflects on the melody that is carrying Israel in the wake of October 7th.
Ivri Anochi: A Tribute to the Paradox of Jewish Pride
Shlomo Zuckier takes a closer look at the cultural and theological underpinnings of this hit new Orthodox music video.
Reclaiming the Musical Past: Leon Modena and Salamone Rossi in Context
Rebecca Cypess considers the life and work of the Italian Jewish Renaissance composer Salamone Rossi, his rabbinic supporter Leon Modena, and the controversies over 17th century polyphonic music in the synagogue.
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