Ivri Anochi: A Tribute to the Paradox of Jewish Pride
Shlomo Zuckier takes a closer look at the cultural and theological underpinnings of this hit new Orthodox music video.
No Rest for the Weary? Ambiguity in Yehudah Halevi’s “Yom Shabbaton”
Yaakov Jaffe analyzes the multiple meanings of a medieval Jewish poem and popular Shabbat table song.
The Shofar as a Mekonenet, a Singer of Laments
Rebecca Cypess
As the only musical instrument used in modern Jewish liturgy, the shofar possesses a humble form. Halakhah forbids the modification of the shofar’s...
Leviticus, Leonard Cohen, and the Paradox of Rest
Sarah Rindner asks what the Book of Leviticus, Leonard Cohen and the Liberty Bell all have in common.
Anonymous Leadership: The Emotional Drama in Ishay Ribo’s Seder ha-Avodah
Shira Hecht-Koller and Aaron Koller explore the worship of the Kohen Gadol through the voice of Ishay Ribo.
Miriam’s Song and the Persistence of Music in Dark Times
Why did the women bring musical instruments out of Egypt? In her first Lehrhaus article, musicologist Rebecca Cypess draws a fascinating historical analogy between biblical and African-American slavery to shed light on the Exodus in Jewish tradition.
“Leonard Cohen: A Crack in Everything” at the Jewish Museum: A Review
Ronnie Perelis reviews The Jewish Museum's exhibition: Leonard Cohen: A Crack in Everything.
Leonard Cohen Five Years On: Death of a Ladies’ Kohen
To mark Leonard Cohen’s fifth Yartzeit, James Diamond offers a creative take on how Cohen‘s complicated relationship with Judaism defined his music and poetry.
Subjective Experience in Halakhah: Music During Sefirah as a Case Study
Judah Kerbel explores how differing approaches to listening to music during Sefirat ha-Omer balance the appropriate role for subjectivity in halakhic decision-making.
Jeremiah Lockwood’s New Cantorial Blues Album, Kol Nidre, is a Yom Kippur Dream
Hillel Broder reviews the latest release from Jeremiah Lockwood.
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