Torah u-Madda or Torah u-Movies?
Moshe Kurtz regales us with his love of science fiction & fantasy, suggesting that the genre’s literature, movies, and games can teach Torah lessons in ethics and morality, but cautioning that Torah u-Madda ought not to become Torah u-Movies.
93Queen: The New Eishes Hayil, Woman of Valor
Naamit Sturm Nagel reviews 93Queen, a documentary about Judge Ruchie Frier and the Hasidic women's ambulance corps that she founded.
What Time Should the Early Minyan Begin on Monday? Recognizing mi-sheyakir: Science, Technology,...
Yaakov Jaffe explores a common synagogue practice, and why it doesn't seem so halakhic. minyan,
Passover’s Rupture and Reconstruction
Yosef Lindell argues that the Haggadah focuses on the story of the Exodus rather than on the laws of the paschal sacrifice as a way of looking forward towards the future redemption.
Torah u-Madda for All?
Leah Sarna addresses the perceived disconnect between the ideal Torah U-Madda lifestyle and the gendered reality of advanced Torah study for women.
Toward Holistic Models of Assessing Judaic Studies Classroom Success in Day Schools
Eliana Yashgur argues that grading Judaic subjects in day schools harms the larger goals of Jewish education, and offers some alternative practices.
Taking Responsibility For Halakhic Guidance: A Response to Ezra Schwartz
In this response to last week’s article by Ezra Schwartz, Nathaniel Helfgot wonders whether the new pandemic-fueled trend toward centralized halakhic decision-making overburdens the most learned rabbis and takes too much autonomy from the others.
“They should seek Torah from his mouth; for he is an angel of the...
In commemoration of the shloshim of Rabbi Simcha Krauss z"l, Dan Margulies offers a moving reflection of his teacher.
Judaism is About Two Kinds of Love
Warren Zev Harvey
Review of Shai Held, Judaism is About Love: Recovering the Heart of Jewish Life (New York: Farrar, Straus and Giroux, 2024). Originally...
Neil Gillman and the Postmodern Moment: A Student Reflects
William Plevan argues that by introducing the concepts of myth and second naiveté to Jewish theology, Neil Gillman captured the spirit of the burgeoning postmodern moment.