Frum and Free? Passover and Jewish Views on Liberty

Aton Holzer offers a novel re-reading of the Seder, arguing that it reflects and recreates four types of liberty that can be found in the Exodus narrative, as well as a fifth form of freedom.

Ki Ani Hashem: A Literary Analysis of the Makkot

Joshua Shapiro explains how close readers of the Biblical text can find a unifying theory for reason behind the ten plagues.

Shemot: The Book Without Names

Ben Greenfield calls attention to a crucial, but unnoticed feature of the early narratives in Exodus.

The Difference Between Lo Tahmod and Lo Tit’avveh: An Insight Based on the Hitpa’el

Mitchell First explains the difference in the wording of the tenth commandment in Exodus and Deutoronomy in light of a grammatical insight by Benno Jacob.

From Storage Cities to the Tabernacle: Building a New Civilization

Daniel Berkove shows how parallels between the building of the Tabernacle and the building of Pharaoh's storage cities shed light on the differences between civilizations that those structures represent.

Reeding Between the Lines: Parallels Across the Yam Suf and Baby Moshe Narratives

Ben Greenfield examines the curious parallels between the stories of Moshe in the ark and the splitting of the sea.

Mikra Bikkurim at the Seder: A View from Deuteronomy

Tzvi Sinensky suggests that we can best understand the Haggadah against the backdrop of Sefer Devarim.

Manna as a “Detox Diet”: On Rav Mendel of Rymanov’s Segulah for Parnassah

Lehrhaus Founding and Consulting Editor Elli Fischer on why R. Mendel of Rimanov is said to have spoken about the man every Shabbat for 22 consecutive years, and why reciting parshat ha-man the Tuesday before Parshat Beshalah might not be a segulah for parnasa, but R. Mendel's exhortation to be content with our lot.

Three in One: Creation, Exodus, and Equality

Ezra Sivan presents a new analysis of Shabbat and how it throws light on so much more in the Torah.

Two Pieces on Terumah

The poetry of the Mishkan: Abe Mezrich mines Parshat Terumah for its poetic potential.