Rebbe Shimon Opened

Joey Rosenfeld discusses the inner meanings of Lag Ba-Omer.

Epilogue

Tikva Hecht’s moving elegy for her mother, a lyric essay told in verse and art, reflects on the fragility of life and the final confession we recite in the Yom Kippur Amidah.

Two Paradigms of Teshuvah?

Yehoshua Pfeffer on self-abnegating vs. life-affirming teshuva.

When God Appeases Man: Yom Kippur in a Time of Exile

Yom Kippur marks the end of an 11 week period when thematic haftarot about the destruction of the Temple, consolation following its loss, and repentance replace haftarot connected to the weekly Torah reading. What can this grouping teach us about the nature of forgiveness and reconciliation? Hannah Abrams explains.

Wherefore Art Thou, Moses?

What does Shakespeare have to say about the Exodus, Moses, and the power of storytelling? Shaina Trapedo explores how the Bard's work can speak to us during this unprecedented Pesach season.

Shomron Kol Titein: Let the Silent Sisters Speak and be Consoled

Yosef Lindell examines why Shomron Kol Titein is a fitting conclusion to the daytime kinnot on Tisha Be-Av.

In Plain Sight: Jewish Masquerade from Clueless to the Rabbis

Why have stories of Jewish masquerade captured audiences since ancient times? In her latest, Malka Z. Simkovich explores the hidden meaning behind dressing up, from the Second Temple to '90s cinema.

The Lonely Seder, Take Two

As another Pesach in isolation approaches, Will Friedman examines how Rabbinic texts take solo sedarim into account.

Poets Are Purim Jews: On Contemporary Poetry’s Inexplicable Obsession with the Ordinary 

Poet Yehoshua November notices a defining characteristic of contemporary poetry—fixation on the ordinary. In light of Hasidic theology, November argues that appreciation for the holiness of the ordinary underlies Megillat Esther and the celebration of Purim.

The Corona Haggadah: Reflections and Discussions to Accompany the Haggadah for Pesah 5780

Julie and Uri Goldstein offer a timely Haggadah for reflection this year.