Mishnah with Meaning: Review of The Soul of the Mishna by Yakov Nagen
Yakov Nagen's Soul of the Mishna contains a wealth of readings that combine academic, literary, and spiritual perspectives on the Mishnah, writes Richard Hidary. Read the full review of the book, now accessible to an English-speaking audience, in our latest at the Lehrhaus.
The Simple Judaism of a Rosh Yeshiva-Novelist
In a continuing series on great, modern Israeli thinkers, Joe Wolfson explores the powerful themes in a novel by Rav Haim Sabato.
What is a Jewish Classicist?
Simon Goldhill provides an entertaining and thought-provoking exploration of how Jewish scholars' religious identities impact their work in the field of classics.
The Secret Quietness
These poems present Dephy's reflections on memories, relationships, and the self.
Divinity Redefined- Review of Christine Hayes, What’s Divine About Divine Law?: Early Perspectives
Rabbi Daniel Reifman reviews Christine Hayes' Whats Divine about Divine Law?
The Rime of the Ancient Mariner and the Ancient Marine Rhyme: A Study...
Yaakov Jaffe analyzes and compares the "Song of the Sea" and the "Rime of the Ancient Mariner."
My War Diary
This war diary, presented by Susan Weingarten, relates her experience in a kibbutz on the Gazan border on October 7th and the days following her return to Jerusalem after the Hamas massacre.
Leonard Cohen Five Years On: Death of a Ladies’ Kohen
To mark Leonard Cohen’s fifth Yartzeit, James Diamond offers a creative take on how Cohen‘s complicated relationship with Judaism defined his music and poetry.
Giving Shape to Abstraction: Illustrating Redemption in the Book of Ruth
Benjamin Marcus was commissioned to create illustrations for an illuminated manuscript of the Book of Ruth. In this one-of-a-kind article, he shares his challenges, his discoveries, and his art.
On Religious Jewish Counterculture in Translation
Avinoam Stillman argues that the uniqueness of Yaakov Nagen's newly-translated book lies in its eclecticism and down-to-earth relevance to everyday life.