Ki Ani Hashem: A Literary Analysis of the Makkot
Joshua Shapiro explains how close readers of the Biblical text can find a unifying theory for reason behind the ten plagues.
Jewish Responses to the Forgiveness Paradox
Is true forgiveness possible? Michael Kurin explores the doubts raised by prominent twentieth century philosophers and considers how Jewish tradition offers a radically different conception of repentance and forgiveness, one that enables people to alter their reality vis-à-vis God and one another.
The Nightly Cry, the Song of Torah
The call to learn Torah at night surprisingly comes from a verse in Lamentations. Yaakov Weinstein discusses what we can learn from this, and what it means for the practice of staying up on Shavuot.
Why Can’t Selihot Be More Like Kinot?
Yosef Lindell argues that the explanatory Kinot model, where fewer prayers are said but they are delved into in more depth, should be adopted for reciting Selihot.
An Obligation of Sight: Depictions of Suffering in the Haggadah
Ranana Dine explores the depictions of suffering in haggadot.
Book Review: Haroset: A Taste of Jewish History by Susan Weingarten
Yakov Ellenbogen reviews Susan Weingarten's Haroset: A Taste of Jewish History.
Titus and the Tripartite Soul: A Lesson on Leadership and Jewish Survival
With a novel reading of Josephus and Gittin, Shana Schwartz proposes that the tragedy of the second hurban and the mystery of subsequent Jewish survival may be understood by reference to the physiological knowledge available in classical antiquity.
Four Days of Kristallnacht in Hessen
Stephen Denker reconstructs Bert Katz's experience of Kristallnacht in Nentershausen.
One Day, One Chapter; Four Recitations and Four Themes in Psalm 24
Yaakov Jaffe explores four themes of Psalm 24 as recited on the second day of Rosh Hashanah.
Hendiadys in the Pre-Shofar Acrostic Prayer: An Introduction to an Overlooked Principle of Biblical...
In unpacking the meaning of a tricky verse from Eikhah that we say as part of the Shofar service on Rosh Hashanah, Mitchell First introduces us to the literary principle called hendiadys, which can help us understand various phrases throughout Tanakh.

















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