Medieval

Yaakov Taubes examines three hypothetical “What if?” books and what they can teach us about history, science, and halakhah.

Yisroel Ben-Porat offers historical, hashkafic, and personal reflections on what’s often called the “Judeo-Christian” tradition and whether a Torah u-Madda outlook can embrace the study of Christianity.

In this timely piece, David Fried analyzes Maimonides' explanation of the ma'aseh merkavah in light of the Talmud's strictures on its teaching outlined in Hagigah. Fried's analysis reveals how Maimonides changed course from the Aristotelianism that he posited at other points in his career.

Sefaria has recently published a new bilingual digital edition of Talmud Yerushalmi. Taking stock of this development, Zachary Rothblatt offers an erudite synthesis of the history of Yerushalmi.

In honor of the yahrtzeit of Dolce, the wife of Rabbi Eleazar of Worms, Chaya Sima Koenigsberg explores Rabbi Eleazar's moving elegy for his wife and reflects upon Dolce's character as a model for Koenigsberg's own life and the lives of Jewish women today.

Did Rabbeinu Bahya mention a lightning rod centuries before it was discovered? Yaakov Taubes takes us on a journey through science, magic, and religion to help explain this medieval commentator’s cryptic comment about the Tower of Babel.

David Fried clarifies the concept of imitating God through Rashi's oft-neglected reading of “It is not good for man to be alone”

In older times, Christian New Year’s Day celebrations were sometimes marked by antisemitic incidents. Although such days are behind us, Tzvi Sinensky recalls the antisemitic canard that Jewish men menstruated, a pervasive and disturbing myth that demeaned Jews and all women.

Baruch Sterman describes how an encounter with a missionary led him to a greater understanding of Ramban's commentary on this week's Parshah.

Rashi’s commentary to Eruvin contains many explanatory diagrams. In anticipation of the Daf Yomi cycle’s study of the tractate beginning tomorrow, Eli Genauer shares some manuscripts that shed light on whether Rashi drew these pictures.