Classical

Why did the women bring musical instruments out of Egypt? In her first Lehrhaus article, musicologist Rebecca Cypess draws a fascinating historical analogy between biblical and African-American slavery to shed light on the Exodus in Jewish tradition.

Marc B. Shapiro reviews a new edited volume by Yoram Hazony, Gil Student, and Alex Sztuden that offers a traditional defense of revelation in light of modern biblical criticism.

As 2022 comes to a close, the Lehrhaus team is proud to feature some highlights from our contributions this past year. Yet again, we have published at least one hundred original pieces across a wide variety of genres.

In his latest for the Lehrhaus, Aton Holzer sheds light on the hidden roots of Hanukkah–exploring the political and theological meaning of the holiday from the Second Temple period through the Talmud.

Yaakov Jaffe traces the origins and evolution of the custom to shake the lulav in different directions.

For Parshat Naso, Lehrhaus editor Yosef Lindell compares three twentieth-century rereadings of the Sotah ritual that make the passage more palatable to modern audiences.

Aton Holzer offers a novel re-reading of the Seder, arguing that it reflects and recreates four types of liberty that can be found in the Exodus narrative, as well as a fifth form of freedom.

Sefaria has recently published a new bilingual digital edition of Talmud Yerushalmi. Taking stock of this development, Zachary Rothblatt offers an erudite synthesis of the history of Yerushalmi.

David Fried clarifies the concept of imitating God through Rashi's oft-neglected reading of “It is not good for man to be alone”

Natan Oliff looks at the various ways Jewish thinkers have found meaning in determinism.